The first character from the prototype scene I wish to stage is a balding man.
FIMO is the material used, which is a synthetic clay that is cooked in the oven to harden off the model created.
For his head I use a commercial model of a monk and made a moulding of his balding head. The monk's head is dusted with talc. and pressed halfway into the material, removed, turned over and pressed again to give two impressions, front and back.
After the mould is 'cooked' to harden it, dust the cavity with talc. Take a ball of FIMO, and press the ball into a cavity making sure it overlaps to form a flange.
Ease the moulding out by pulling on the flange. Take a sharp knife and slice the moulding from the flange. Repeat for the other half of the head.
FIMO in its uncooked state is extremely mailable. Great care is needed to minimise distortion of the head moulding when handling. The plus side is that if there are defects some judicious prodding can correct. Because its easy to distort I cooked the two halves to harden before making the body. When hardened, the two halves are 'glued' together using a slither of FIMO and the assembly cooked again to fix.
The wire skeleton is constructed.
A small hole is drilled into the neck and the wire inserted.
Notice that the monk has puffy cheeks. I smoothed these out a bit on the moulded head and enhanced the eyes, nose and mouth using a piece of wire. Unfortunately, the result has a frightening persona, someone I would not like to meet on a dark night! Fortunately though, the head is only 4mm tall.
1 comment:
Dr Frankenstein?
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